Who has played the 7th Street Entry? Nirvana, The Strokes, Billie Eilish, The Killers, Lizzo, Green Day, Jonas Brothers, and more
Flip Rushmore is a Minneapolis indie rock band that's been fortunate enough to headline the 7th Street Entry on multiple occasions. Our current goal is to ... play any show, anywhere, ever again. Please. Email us at email@example.com if you'd like to make any suggestions for this post. And if you have any specific memories of these shows, please share! Check us out on Spotify here.
First Avenue is the cornerstone of Minneapolis-St. Paul's legendary music scene and one of the most celebrated rock clubs in the world. The Mainroom—where Prince shot Purple Rain—has hosted thousands of notable artists.
But the small room next door is perhaps even more beloved by local artists. The 7th Street Entry (capacity: 250) is where Minnesota musicians cut their teeth, and it provides a warm welcome to national artists making their first trips through the Upper Midwest.
Record Time is a recurring feature written by Flip Rushmore's Alex Smith. Comment with your favorite memories of Begin to Hope at the bottom of the story, and check out Flip Rushmore's latest release on Spotify.
My first "serious" relationship began when I was 16. And some of my favorite memories from that time were long drives soundtracked by the stereo in her hand-me-down Ford Taurus. Her older sister had moved out east, but had thankfully left behind a CD case with dozens of pop and alternative albums that I’d never heard before. At the time, I was in the midst of an exhilarating Wikipedia-and-Limewire crash course in rock history. I was the oldest in my family, so the Internet served as the cool sibling who told you how good Kid A was (or, at the very least, gave you their copy of Enema of the State).
Record Time is a recurring feature written by Flip Rushmore's Alex Smith. Comment with your favorite memories of Hot Fuss at the bottom of the story, and check out Flip Rushmore's latest release on Spotify.
In music, the early bird does not usually get the worm.
A scene takes time to manifest itself in the public consciousness, and the bands making the best music, in, say, 2001, are not the bands who are leading the charge in, say, 2004. That’s a lifetime for a certain “sound,” and The Killers' Hot Fuss is the natural grandchild or great-grandchild—with an extra touch of flamboyance from three time zones away—of The Strokes’ Is This It. The first demo of “Mr. Brightside” might as well have been a B-side from Room on Fire.