This account is based on two sources: Alex’s memory of a mysteriously retracted story from a major music news outlet (help me find it, Reddit!), and a 2-minute video clip from the Sun Kil Moon website. This story is reconstructed to the best of one man’s ability.
Please note: Mark Kozelek, a key character in this story, was credibly accused of sexual misconduct by three different women in 2020.
On the night of Jan. 14, 2016, Mark Kozelek and his band Sun Kil Moon played the Regent Theater in downtown Los Angeles. Standing near the front of the audience was a fan named Phoebe Bridgers.
As the band neared the end of their encore, Kozelek heard a request from the crowd: “You Missed My Heart,” a solo song he’d released a few years earlier. Sorry, he told the fan, I don’t remember all the words to that one.
No problem, the fan said. I can sing it.
Every month, the five members of Flip Rushmore will tell the world ? what we're currently listening to. If there's something you think we should check out, email us at flip rushmore @ gmail dot com or leave a comment below.
Hayley Williams, "Over Those Hills" — It's been a long time since I've listened to a new album all the way through ... and then started it from Track 1 again. Williams—who is best known for her pop/rock work with Paramore and the B.O.B. hit "Airplanes"--put out a great record last year, and followed it with Flowers for Vases/Descansos this month. She plays all the instruments (easy hook for me) and tells some memorable stories ("Trigger," "Inordinary"). The song "Over These Hills" is part of a strong middle section on the album that borrows a little bit of Lana, a little bit of La La Land, and revolves around a lick that will probably get it some decent play on AAA radio. (Alex)
Record Time is a recurring feature written by members of Flip Rushmore. This one comes courtesy of Mike Green. Comment with your favorite memories of Moving Pictures at the bottom of the story, and check out Flip Rushmore's latest release on Spotify.
Growing up can be a time of contrasts. You desperately want to fit in, but also feel the need to express your individuality, find your own path and stick to your guns — or at least, a gun you’ve decided is worth sticking to.
When I was around 14, I befriended an eclectic fellow who was the best person I knew at forging their own path (wearing bright green and orange corduroy pants to middle school in the year 2007 earns you that “best of” title, in my opinion). He encouraged me to check out a Canadian rock trio named Rush, who I was only familiar with thanks to Guitar Hero and Rock Band. He burned me a few tracks onto a CD, and I was hooked — these guys were pretty cool!
Record Time is a recurring feature written by Flip Rushmore's Alex Smith. Comment with your favorite memories of American Idiot at the bottom of the story, and check out Flip Rushmore's latest release on Spotify.
Ten years is typically plenty of time for an artist's pop-culture moment to come and go. The Beatles put out albums for seven years before breaking up. Nirvana only made it two and a half years from Nevermind to Kurt Cobain's death. We got one album, total, from Lauryn Hill.
Those fortunate enough to make a longer run usually coast by on less-than-essential work by the time they finish their first decade in the spotlight. Only truly special artists are able to bridge the gap and use new ideas to command the attention of two different generations. Any artist that makes two albums at least a decade apart that are both...
...is part of a very short list. You’ve got names like Bob Dylan (1965's Highway 61 Revisited to 1975's Blood on the Tracks), Kanye West (2003’s College Dropout and 2013’s Yeezus), and the Rolling Stones (1966's Aftermath to 1976's Some Girls). There are a handful of others out there, fringe or otherwise, but it’s an exclusive club. And there are zero American rock bands. Well... one, actually.